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“... It’s certainly an excellent arrangement,’ the official says, ‘always unimaginably excellent, even if in other respects hopeless.’ We can easily picture, or even recall, arrangements that are excellent for some and hopeless for others, and that is what the phrase ‘in other respects’ invites us to do. But the larger rhythm and grammar of the sentence ask us to go beyond this option, to think both contrary thoughts at once, taking excellence and hopelessness as partners in an intricate dance, each calling for and implying the other; as if the arrangement is excellent because it’s hopeless, hopeless because it’s excellent ...”

“... In the early summer of 1931, as the storm centre of the century’s worst depression roared back towards a Germany where already 4.5 million people were out of work, the Nazi Party for the first time faced the fact that it might be elected to government. ‘Finance capitalism’, which they had been lambasting for 12 years, had got the country into just the mess they had predicted ...”